Bill Hicks

a draft that what waiting the right moment I guess,
earlier today this announced was made by Rykodisc ...


The Late Show with David Letterman has scheduled a telecast of the never-aired October 1, 1993 Bill Hicks appearance. The show was pre-taped Jan. 26th (with Bill's mom as a guest) and will air Friday, January 30th on your local CBS affiliate. We'd like to acknowledge and thank Bill's many fans and everyone who has had a hand in keeping Bill's comedy and philosophy alive. We hope everyone can tune in and experience what you may have missed or what you barely remember – Bill Hicks performing for a national audience on network television.





William Melvin Hicks was an American stand-up comedian.

Finding moderate mainstream success in the late 1980s and early '90s, Hicks tended to balance heady discussion of religion, politics, philosophy and personal issues with more ribald material; he characterized his own performances as "Chomsky with dick jokes".

The British movie Human Traffic referred to him as the "late prophet Bill Hicks"...
that pretty much describes the man best I think.

In 1990, Hicks released his first album, Dangerous, performed on the HBO special One Night Stand, and performed at Montreal's Just for Laughs festival. He was also part of a group of American stand-up comedians performing in London's West End in November. Hicks was a huge hit in the UK and Ireland and continued touring there throughout 1991. That year, he returned to the Just for Laughs festival and recorded his second album, Relentless.

Hicks made a brief detour into musical recording with the Marblehead Johnson album in 1992. In November, he toured the UK, where he recorded the Revelations video for Channel 4. The show was in contrast with the harsh and brutally frank style he had developed in reaction to the many unwelcoming and often hostile audiences of America, and shows Hicks in a playful mood and at ease with his audience. He closed the show with "It's Just a Ride", one of his most famous and life-affirming philosophies. Later that year he recorded a stand-up performance that would become Live at Oxford Playhouse and Salvation. Hicks was voted "Hot Standup Comic" by Rolling Stone Magazine, and moved to Los Angeles in early 1993.


The progressive metal band Tool invited Hicks to open a number of concerts for them on their 1993 Lollapalooza appearances, where Hicks once famously asked the audience to look for a contact lens he'd lost. Thousands of people complied. Tool singer Maynard James Keenan so enjoyed this joke that he repeated it on a number of occasions. In 1996, Tool released their album Ænima which contains mentions of Hicks in the liner notes and on record. The track "Ænema" references Hicks's Arizona Bay philosophy and the closing track "Third Eye" contains samples from Hicks's Dangerous and Relentless albums. Experimental rock outfit Faith No More also quoted Bill Hicks in "Ricochet" from their King for a Day... Fool for a Lifetime album, singing "It's always funny until someone gets hurt and then it's just hilarious". -wiki



Totally Bill Hicks (1994)
documentary
41:17
imdb



video source


The musical influences on the rhythms and schemes - besides the shape-shifting ethnic presence in anything above bass frequency - make this album hard to sit out. The fact that the artist challenges us with a vast mass of experimentally-composed music is an admirable thing to do, but when the scale tips over in favor of the experimental factor, balance needs to be restored somewhere. Having horn sounds from New Orleans to India - and back the other way 'round - makes the choice of using his massive collection of keyboards rather obvious. Attempting to squeeze the full-on sound of a jazz band or snake charmer in a keyboard or software pack just doesn't resemble the real thing.

written for and published by The Silent Ballet.

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Bohren & der Club of Gore - interview

Not only responsible for bringing forth The Silent Ballet top album of 2008 -as voted by the staff- entitled Dolores, the German Bohren & der Club of Gore was also responsible for playing a most memorable gig in the Ancienne Belgique Club, Brussels.

It's there where things started to go wrong... and all of a sudden I found myself in the position where I was to drop this excellent, doom jazzin' fourpiece a bunch of questions.
















"The first and main thing in the beginning of Bohren was to create music that we wanted to listen to. And because nobody else did, we had to do the job. It took several years to find and develop our own musical language and to work out this kind of slow and unhappy music, featuring a down-tuned bass and soft drums– powerful music but without distortion, music which is digging for simplicity and drilling for truth. And we still like it...amen!"


Written for and published by The Silent Ballet
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Sleepingdog - Polar Life

first review of 2009 is up and it's advised you give this a listen ;)

Sleepingdog is the outcome of Chantal Acda's need to have an musical outlet when she was working on the Iceland-inspired album Tonar under the moniker Chadca. Without the intention to release anything, she headed for the basement where she recorded and channelled her emotions in the minimalistic music she experimented with at the time. Afterwards she impulsively decided to release the material on Naked In A Clean Bed which is, in comparison with the sound-exploring album Tonar, an artist's fragile foray into her capacity for evoking emotions. Polar Life continues in that fashion with a sound that is still a bit rough on the edges, but more beautiful than before. Basement static is traded in for a warm tape-brown analog filter. The music is layered with vocals that are treated just like any other instrument and have been handsomely tweaked accordingly. Imagine the town of Twin Peaks hosting an "Island Airwaves" day, where you find yourself sitting on a table in the Black Lodge and you'll have the perfect setting to be touched by the album's soothing properties.


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Zeal records


read the full review @ The Silent Ballet
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